Контент музично-виражальних можливостей саксофона в сучасній українській камерно-інструментальній музиці
DOI:
https://doi.org/10.31500/2309-8155.17.2017.140054Ключові слова:
камерно-інструментальна музика, саксофон, саксофонний квартет, традиція, новаторствоАнотація
Статтю присвячено дослідженню сучасної української камерно-інструментальної музики кінця ХХ — початку ХХІ століття у контексті новітніх виконавсько-виражальних засобів і прийомів гри на саксофоні.
Бурхливий розвиток саксофонного виконавства в другій половині ХХ — початку ХХІ століття пов’язаний не тільки з удосконаленням традиційних способів гри, а й із розширенням сфери виражальних можливостей саксофона за рахунок виникнення нових виконавських прийомів і засобів, що є актуальною темою сучасного українського саксофонного виконавства.
Широкий музично-виражальний спектр української камерно-інструментальної музики за участі саксофона кінця 1990-х — початку ХХІ століття, левову частку музичних творів якого вперше введено у науковий обіг, дає можливість оцінити на практиці глибину філософсько-образних концепцій, які втілюють сучасні українські композитори. Яскравим прикладом такого роду конотацій стали творчі пошуки В. Рунчака, а саме: залучення несподіваних рішень як композиційних структур, так і новітніх способів та прийомів гри на саксофоні. Виконання академічної музики саксофонним квартетом стало значним явищем другої половини ХХ століття. Окреслено основні положення щодо специфіки формування творчих настанов у виконавській діяльності квартету. Зазначмо, що художньо-стильова особливість гри саксофонного квартету ґрунтується на глибокому усвідомленні нерозривності технічних і мисленнєво-образних умотивованих дій, які дають змогу досягти максимального творчого результату у виконавській діяльності.
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